"Museums are just a lot of lies, and the people who make art their business are mostly imposters. We have infected the pictures in museums with all our stupidities, all our mistakes, all our poverty of spirit. We have turned them into petty and ridiculous things."
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"Museums and art stores are also sources of pleasure and inspiration. Doubtless it will seem strange to many that the hand unaided by sight can feel action, sentiment, beauty in the cold marble; and yet it is true that I derive genuine pleasure from touching great works of art. As my finger tips trace line and curve, they discover the thought and emotion which the artist has portrayed."
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"Museums, museums, museums, object-lessons rigged out to illustrate the unsound theories of archaeologists, crazy attempts to co-ordinate and get into a fixed order that which has no fixed order and will not be co-coordinated! It is sickening! Why must all experience be systematized? A museum is not a first-hand contact: it is an illustrated lecture. And what one wants is the actual vital touch."
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"The Museum is not meant either for the wanderer to see by accident or for the pilgrim to see with awe. It is meant for the mere slave of a routine of self-education to stuff himself with every sort of incongruous intellectual food in one indigestible meal."
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"Yesterday I went out at about twelve, and visited the British Museum; an exceedingly tiresome affair. It quite crushes a person to see so much at once; and I wandered from hall to hall with a weary and heavy heart, wishing (Heaven forgive me!) that the Elgin marbles and the frieze of the Parthenon were all burnt into lime, and that the granite Egyptian statues were hewn and squared into building stones, and that the mummies had all turned to dust, two thousand years ago; and, in fine, that all the material relics of so many successive ages had disappeared with the generations that produced them. The present is burthened too much with the past."
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Born in 1929, Audrey almost pursued a career in ballet instead of acting. During World War II, it was said that she danced to raise money for the underground movement. While filming Secret People in 1952, director William Wyler spotted her and believed she'd be perfect for the part of the English princess opposite Gregory Peck in Roman Holiday. It was her breakout performance, for which she won an Oscar. She went on to become one of Hollywood's biggest stars. Her beauty, elegance, charm and humor captivated audiences as well as the actors playing opposite her, leading Cary Grant to onc…
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